In fact, you can still do most of your edits on Sony Vegas and be done with it. But having these extra features doesn’t automatically mean they will be needed. These days there are dozens of tools and editing software, each with its own set of features. Check out these items featured in this post and available to BUY NOW at .ĮditShare Lightworks Pro Software (1 Year License) with Keyboard Bundle $199.00ĮditShare Lightworks Pro Non-Linear Editing Software (1 Year License) $60.Gone are the days when your only worry was to cut and trim the editing clip. The timeline is able to work with footage at a high resolution however, a project can only be one of the following standards: read more. Lightworks claims it can take up to 5K material if necessary. ![]() 1080p is limited to 30 fps, which is also somewhat limiting (for lack of a better word) but not really a problem in a broadcast or cinema pipeline. In fact, for those looking at working with slow-motion footage, it might as well be a deal breaker.ĥ0, 59.94 and 60 fps is only available up to 720p. E.g., if you have a 25 fps project, and try to bring in a 29.97 fps clip, it will not work. Every clip you import MUST be the same as the project frame rate. After you ingest or import the first clip, the project frame rate cannot be changed. 24 – This includes 23.976 and 48 fps as well.Project frame rates are divided into three families: Lightworks avoids showing us 23.976, 29.97, 48 and 59.94 fps but it’s still there. We left two threads hanging in Part One: how resolution and frame rates are handled in Lightworks. ![]() In this part we’ll look at how Lightworks imports files and deals with different codecs. We also understood some basic terms and what the workspace looked like. ![]() In Part One we looked at how to set up Lightworks.
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